Monday, let’s start the new week by putting money where ones mouth is…
put your money where your mouth is
› to show by your actions and not just your words that you support or believe in something
Last week, I had the pleasure to attend two Open Forum discussions on inclusion in theatre: the first one was the D&D by Improbable on the inclusion of race and diversity and the second discussion was held by Tamasha, after their scratch night to address the gender-imbalance on stage: and dealt with the question how to create more permanent change in the theatre to include women.
Dear Reader, I can feel half of you switching off here: please don’t. I promise you this won’t be a political feminist rant. In fact, this is exactly what this blog is about, that feeling of “Yeah, yeah I know but do we have to make such a song and dance about it? Do we have to talk about it, can’t we just do it?” Last week, I met people who would answer/scream: “No, we can’t because they won’t let us!” We being defined here by the minority discussed and They by the powers-that-be.
I am still not sure where I stand on this: I have only relatively recently joined the theatre forces and so I am not convinced yet that my current lack of published plays is an oppression issue – I would like to think that I just need more time to hone the craft. Also, I had a very happy childhood, thank you very much mum and dad, and I don’t feel the passion/anger that comes from feeling wronged.
However, I am also a woman of ethnic minority trying to craft in Western theatre and I cannot deny that I do not see a lot of us working in ‘the industry’. This is just a cold, hard fact. One can argue that the minorities are just not available but here is another fact: I am here and though not many, others are with me. Even if not all of us have had the experiences that let us fight with the conviction, volume and the vigour as some can; when asked, we have to – at the very least – silence the thrice-crowing cockerel, and step up.
For that reason (and this is the point of this whole essay – thanks for bearing with me), when I was asked by Banana Writers to contribute a piece about our company Papergang Theatre, a new writing platform for British East Asians, I couldn’t say no. It is very daunting to share this with you, as I feel that there are more eloquent voices out there and for whom I have a lot of admiration. Yet if I am to scared to do it, how can I even dare to suggest others have a valid voice that deserves to be heard?
So if you are interested, please read the article “Writers wake up!”